前身是皇軍軍港的吳港戰後成為船塢工人的生活煉獄在資本家剝削和枯燥生活的雙重煎熬下躁動的年輕生命一頭栽進暴力漩渦延擱成長終日在打鬥、賭博、酗酒中尋找暫時的麻醉吉田喜重通過工頭之眼對不合理的社會現實作出欲迎還拒的批判被視為日本新浪潮代表作之一香山美子飾演純真的酒館女待同情工人卻慘被強姦正與負的能量在大時代中比拼互滲可有超越對與錯是與非的位置片末火車站送別一場在家和社會之間吉田喜重作出了左翼的選擇　　One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come.　　- SummerIFF 2007